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History of Photography
Photographic Processes |
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300BC - 1839 |
Pre-history of
Photography
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The
Pre-history
of photography page, gives brief comments on:
- Aristotle
- Thomas Wedgwood
and Sir Humphry Davy.
-
Joseph Nicéphore Niépce and Sir John Herschel
- and the early
work of Talbot and Daguerre.
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from 1839 |
Daguerreotype
and
Calotype and
Salted Paper Prints |
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Daguerreotype
©
Daguerre announced his
discovery of the
Daguerreotype process in January 1839. |
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Calotype
©
Talbot, also in January
1839, announced the discovery of his
photogenic drawing.
A
couple of years later, he announced and patented his
calotype
process. |
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1850s |
Collodion on Glass
and
Albumen Prints |
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During the 1850s, many photographers began to use glass negatives coated
with collodion. There were two varieties: |
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Wet Collodion Negatives
Wet
Collodion Negatives began to be used around 1851.
Photographers coated their
plates immediately before taking their photogrpahs, and processed the
negatives immediately afterwards. |
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Dry Collodion Negatives
Dry
Collodion Negatives became available around 1857. Some photographers
continued to use the wet collodion process. Others moved to dry
plates.
These required longer
exposures but were far more convenient, particularly for landscape
photographers. |
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'Wet' v. 'Dry'
The debate between 'wet'
and 'dry' workers continued for many years, and was the subject of many
debates at
Edinburgh Photographic Society. |
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Prints
Both wet and dry collodion
negatives were usually printed onto
albumenised
paper. |
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Other processes around 1850
Looking back on the history of photography now, the choice of process
appears fairly straightforward. i.e. When should the photogrpaher
decide to move from Daguerreotype or Calotype photography to collodion
plates?
However, looking back at
the contemporary literature, such as the book
Photogenic Manipulation by RJ Bingham, published in 1852, many more
choices were offered. |
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TO BE CONTINUED |