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Early
Photographic Processes
Pre-History
up to 1839
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|
300 BC |
Aristotle discovered the
principle of the camera obscura as early as 300 BC. |
|
15th century |
The
earliest recorded use of a camera obscura is from the writings of Leonardo
da Vince.
A
camera obscura (Latin: dark room) was a room with all light blocked out
except fro that passing into the room from a small hole on one wall.
This light projected an upside-down image on the opposite wall of the
room. The image was used by artists. |
|
1790s
and
1800s |
The creation of an image by:
- camera obscura (as used later in cameras) and
- camera lucida (as used by artists)
was familiar; but it was the permanent fixing of
this image that became the challenge to photographers
From the 1790s onwards, experiments
were
carried out by:
-
Thomas Wedgwood
(1771-1805) in England
-
Sir Humphry Davy in England. |
|
In 1802, Wedgwood, an amateur scientist, presented a Paper on his experiments in photography to
the Royal Institution. |
|
Thomas Wedgewood was the
youngest son of the potter Josiah Wedgewood. He hoped to be able to
mass-produce photographic images on porcelain for his business.
He sponged nitrate of
silver onto paper, wood and leather, which he exposed to light through an
image of a painting on glass.
He was able to produce an
images, with particular success on leather, though he did not know why the
leather worked so well. In fact it was because the leather contained
tannic acid, which had properties similar to gallic acid, used in later
years in photography.
However
Wedgewood was unable to fix his images to make them permanent.
He concluded that there was no future in photography. |
|
Davy
experimented
with images formed by a solar microscope but, like Wedgewood, found no way
to retain the image when it continued to be exposed to light, so he also
concluded that there was no future in photography.
Davy wrote an account of
experiments (by both himself and Davy) in Philosophical Transactions
in 1802. |
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As far as I know, none of
these early workers had any direct links with Edinburgh. |
|
1814-1826 |
Joseph Nicéphore Niépce
experimented with photography, producing images on polished metal
plates. He named it heliography
(sundrawing). He had difficulty fixing his image.
In 1819, Sir John Herschel
discovered a means of fixing photographs, using hyposulfite of soda.
As far
as I know, none of these early workers had any direct links with
Edinburgh, so I'll not give details of their work on this web site. |
|
1829-1838 |
From 1829, Louis Jacques
Mandé Daguerre, working in partnership with Niépce, experimented
with photography.
From 1833 onwards, William Henry Fox Talbot began his
experiments with photography, prompted by his frustration when
attempting to draw the scenes he saw before him, using the camera
lucida. |
|
1839 |
1839 has become widely accepted as the beginning
of photography as we know it. This was the year that:
-
Talbot
announced his Photogenic
Drawing and
-
Daguerre
announced Daguerreotype
process.
|
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For
further reading on the early experiments by these workers I
recommend the book: The
Origins of Photography
by Helmut Gernsheim.
Some of the details above
have ben taken from the 8th edition of the book:
Photogenic Manipulation
by RJ Bingham, published in 1852. |