|
Bulletin
No
|
Photographic Techniques
|
|
141
|
Agfa
Paper -
spotting
|
|
66
|
Bas-Relief
|
|
39
|
Black
& white from colour
|
|
80
|
Borderless
Enlarging Easel
|
|
132
|
Chromogenic
films
|
|
120
|
Cibachrome
|
|
85
|
Colour
Printing, Quicker
|
|
75
|
Contrast
Control in Enlarging
|
|
35
|
Developers
for films
|
|
22
|
Development
by Inspection
|
|
124
|
Double
exposures in slides
|
|
42
|
Drying
films
|
|
117
|
Duplicating
Colour Transparencies
|
|
38
|
Ferraniacolor
processing
|
|
9
|
Fixing
the Film
|
|
141
|
Flow
Marks on Film
|
|
120
|
Glass
Photography
|
|
59
|
Glazing
prints
|
|
7
|
Minimum
Exposure and Fine Grain
|
|
114
|
Mix
Your Own Chemicals
|
|
53
|
Monophen
|
|
74
|
Mounting
Prints with ‘Twinstik’
|
|
40
|
Mounting
Transparencies
|
|
127
|
Multigrade
|
|
46
|
Multiple
printing
|
|
102
|
My Favourite Film and Developer
|
|
31
|
Negative
Contrast
|
|
73
|
Paper
Negatives
|
|
121
|
Registration
|
|
141
|
Re-touching
Cibachrome Prints
|
|
144
|
Re-touching
Colour Slides
|
|
72
|
Solarisation
|
|
88
|
Tone Separation
|